Kjell Braaten Bergen, Norway
I BELIEVE IN MUSIC AS A CROSS
CULTURAL GLOBAL LANGUAGE
Music moves.
Music speaks, and music is like a language that expresses things spoken words can not.
It is a multilanguage that all human beings can understand no matter what culture, religion, or region you come from.
I compose for theatre, movies, and live performances, and I perform on stage both solo and other projects.
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supported by 9 fans who also own “Kallet (Live)”
This might be my favourite of Heilung. They've improved a bit on their later releases but their debut is still much meaner, and darker. Maria's amazing voice obviously steals the show but I also quite like Kai's too, especially on the live performance. In fact I'd say get LIFA over this IMO. The spoken word bits are really cool to hear proto-germanic in use but for relistening purposes they are going to be a bit obtrusive. Nevertheless the proper music here is on continual repeat for me.
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supported by 7 fans who also own “Kallet (Live)”
Wonderful nordic songs, full of character and atmosphere. Feels very authentic and shows a softer and more playful side of parts of Heilung and other great artists collaborating on this project.
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A Pan-Latin folktronica odyssey that develops Bolivian music and culture into a roadmap for metaphysical growth and inner serenity.
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Island Intervals
by Death Vessel
DV recorded this warm and intimate album in Reykjavik with Sigur Ros singer Jónsi and producer Alex Somers.
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Their Invisible Hands
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A dreamy improv-folk collage from Toronto multi-instrumentalist Clara Engel, who plays cigar box guitar, talharpa, melodica, and many more.
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supported by 6 fans who also own “Kallet (Live)”
i like this version better than the original. The middle part has that aggression that makes the excellent balance with the beginning and ending of the song.
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